erroll garner documentary
First she recruited audio restoration guru Steve Rosenthal and his onetime employee Peter Lockhart—now EGJP’s director—to embark on a massive digitization project. But strong as the Octave albums were, Columbia’s distribution and marketing muscle was absent, the zeitgeist was shifting, and Garner’s Q-score gradually diminished. The film clips may be the biggest surprise of the documentary. His playing celebrated the greatest swinging big bands through an innovative and impossible pianism. From 1947, he was a pianist in small groups, and he joined ASCAP in 1960. Erroll Garner (1921-1971), prominent jazz pianist and composer of Misty; Errol John (1924–1988), Trinidadian actor and playwright; Errol Lloyd (born 1943), Jamaican-born artist and writer; Errol Mann (1941–2013), former American NFL placekicker, 1968-1978; Errol Morris (born 1948), Academy Award-winning documentary film director To put it simply, Erroll Garner is a great musical genius. What better way to celebrate the 50th anniversary... Louis Armstrong awoke one morning wanting to make... JazzTimes, in association with Ropeadope Records,... What we went to offer is a positive notion, a... 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Documentary about Brazilian pianist Nelson Freire, and his relationship with music. Garner didn’t really have an answer, so Carson directed the question to his band’s pianist, Ross Tomkins. So is the unattenuated presentation of Garner’s abstract, sometimes delirious song introductions, often edited or—in the case of the discursive 78-second intro to “The Way You Look Tonight” on the restored One World Concert—excised from the original LPs. Erroll Garner, in full Erroll Louis Garner, (born June 15, 1921, Pittsburgh, Pennsylvania, U.S.—died January 2, 1977, Los Angeles, California), American pianist and composer, one of the most virtuosic and popular pianists in jazz.. Garner was influenced by Fats Waller and was entirely self-taught. Garner bequeathed his recordings and copyrights to Glaser and her niece, Susan Rosenberg. Ted Panken writes extensively about jazz and creative music for various publications, and programmed jazz and creative music on WKCR-FM in New York City from 1985 through 2008. A 12-part podcast series hosted by acclaimed author Robin D.G. Rediscover the music of Erroll garner. Erroll Louis Garner . A consequential factor in that process was his million-selling 1955 live album, Once the archive was secured in Pittsburgh, Rosenberg and Rosenthal discovered a cohort of extra takes from, The sound quality on the aforementioned albums and the entire, None of these eminent legatees, however, cut to the chase quite as effectively as Garner, who summarized his intentions in a 1969 interview with Arthur Taylor that appears in the latter’s book, “Planning for the Future of Van Gelder Studio”, Black History Trilogy II – Divine Sass: A Tribute to the Music, Life, and Legacy of Sarah Vaughan. Erroll Garner - Biography. Published since 1970, JazzTimes—“America’s Jazz Magazine”—provides comprehensive and in-depth coverage of the jazz scene. Composer and pianist, the older brother of Erroll Garner, and a pianist in the Fletcher Henderson orchestra. "Garner is the single most important piano stylist of the past 35 years. Each episode is grounded in one of Garner's albums and features a conversation between Dr. Kelley and a different musician. ERROLL GARNER: No One Can Hear You Read . Jazz pianist whose tumbling, percussive, and humorous style gave rise to a remarkable breadth of expression, inspiring countless musicians. Following his death, Glaser worked tirelessly to maintain his legacy, issuing a multi-LP Octave compilation for the Book of the Month Club in 1981 and licensing a reissue series on Telarc during the 1990s. He received a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd. Nancy Giles’ narration is simple and straight-forward, and most of the interviewees offer concise sound bites. His playing celebrated the greatest swinging big bands through an innovative and impossible pianism. “I’m always looking for something new,” Garner said. In a triumphant career that lasted forty years Erroll Garner pushed the playability of the piano to its limits, developed an international reputation, and made an indelible mark on the jazz world. Become a member and get exclusive access to articles, live sessions and more! Erroll Garner: “No One Can Hear You Read” (First Run Features), Erroll Garner: “Ready, Take One” (Columbia/Legacy 36331)/ Shirley Horn: “Live at the Four Queens” (Resonance 2015). In 2011, as failing health forced Glaser to disengage, Rosenberg took charge. Executed with Plangent Process, a proprietary restoration technique that removes wow and flutter and repairs speed fluctuations, the transfers give you the sense, in Rosenthal’s words, of “sitting in the control room with Erroll playing in the other room and you’re hearing him through the speakers.” A dozen heretofore unissued bonus tracks, mostly Garner originals, are a consequential addition to his corpus. Submit Corrections. He has a BA in Film from Vassar College and an MS in Journalism from … He was a professional pianist at age seven over KDKA radio in Pittsburgh. Directed by João Moreira Salles. It’s a 12-CD release, one for each LP that the Pittsburgh-born pianist (1921-1977) and his manager Martha Glaser (1921-2014) co-produced on their own Octave Records between 1959 and 1973. When confronted with two very different stories on the origin of Garner’s hit song, “Misty”, Brady wisely includes one version in the feature and saves the other for the DVD bonus material (I would have used the bonus version in the main feature, but it’s not my movie). Marcus Roberts, the Modern Jazz Generation, and American Symphony Orchestra: 10 Best Jazz Albums of the 1970s: Critics’ Picks, The Day Louis Armstrong Lost His Color: A Short Story, Planning for the Future of Van Gelder Studio. For a man who could have sought much greater fame, Linton Garner changed many lives. Then she contacted pianist Geri Allen, the newly named director of the Institute of Jazz Studies at the University of Pittsburgh, with an offer to gift the holdings, to be deployed not only for research but also, Rosenberg says, “to create a living archive into Pittsburgh’s Black community.”, Once the archive was secured in Pittsburgh, Rosenberg and Rosenthal discovered a cohort of extra takes from Concert by the Sea, spurring the Project’s Octave Music Licensing LLC arm to sponsor a three-CD 60th-anniversary edition that returned Garner to mainstream jazz consciousness. It followed an earlier lawsuit—also successful—against a shifty music publishing outfit to reclaim Garner’s copyright ownership of “Misty.” He debuted that megahit on a 1954 Mercury session, and would interpret it in practically every set he played for the rest of his life, usually before SRO audiences (his contract mandated that they be racially integrated) in concert halls and upscale nightclubs, where both “civilians” and cognoscenti honed into Garner’s instantly identifiable sound—melody-centric, ever-swinging—and highly developed technique. Kelley, conducting conversations with one present-day luminary per album. Linton S. Garner, Composer: Skip Tracer. Brady’s film does a great service to Garner’s legacy, and one would hope that a revival of Garner’s music will follow in the wake of this delightful portrait. Garner’s sister Ruth fills in most of the details on her brother’s childhood, and Garner’s illegitimate daughter Kim offers a touching memory of hearing her father in concert. Geminis are given to mercurial changes and love adventure and experimentation. Garner and Glaser established the imprint in 1962 after winning a $265,297.55 cash settlement in a protracted breach-of-contract lawsuit against Columbia Records, Garner’s primary label after 1950. The title of Atticus Brady’s film refers to Garner’s inability to read music, but this hardly detracted from his “being a genius,” as Whitney Balliett’s New Yorker profile of the pianist was titled. This is the sign which emphasizes duality, contrast and unpredictability. In addition to the cash, Columbia was ordered to return the physical masters and ownership rights for all unreleased Garner recordings in its vaults made after June 1, 1956. He won the 2007 ASCAP Deems Taylor Award for his article “Smalls Universe,” published by DownBeat, and earned the Jazz Journalists’ Association 2016 Lifetime Achievement in Jazz Journalism award. A consequential factor in that process was his million-selling 1955 live album Concert by the Sea. Erroll Garner Biography by Scott Yanow + Follow Artist. Linton Garner: I Never Said Goodbye is an excellent 53-minute memorial to the fabulous proceeds of a lifetime musician, as well as the human legacy that Linton Garner forged in the shadows of a famous sibling. During the decade that followed his signing with Columbia, he had become the most popular jazz instrumentalist in the world not named Louis Armstrong. He could … Unfortunately, the full performance clips are not included, and only a brief discography (without record labels or catalogue numbers) is printed on the DVD jacket. Like Garner’s kaleidoscopic style, Brady’s well-paced film keeps the viewer engaged and never bogs down into technical discussions. As the ’60s progressed, he expanded his rhythmic palette with Machito’s great conguero, Jose Mangual, and explored different sounds and textures. Content copyright 2011-2020. With Steve Allen, Woody Allen, George Avakian, Kim Garner. I feel that if you liked it last night and you come back to hear me tonight, maybe I can do it better. While that answer lacks musicological significance, it was quite appropriate for a musician who once released an album called “The Most Happy Piano”. To put it simply, Erroll Garner is a great musical genius." Erroll Louis Garner (June 15, 1921 – January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. After his high school education, he entertained in high schools and theatres in New York and California, and was featured with the Slam Stewart Trio. Overall, Brady’s film is quite accurate on the facts. “As I can’t read music, I don’t have to say to myself, this is an arrangement I wrote six months ago and I have to play it note for note. I get as close as I can. The rest of the DVD bonus features include extended interviews with Hyman and Steve Allen, and a brief history of the production with Brady. Erroll Louis Garner (June 15, 1923 - January 2, 1977) (some sources say 1921) was an American jazz pianist and composer known for his swing playing and ballads. As we enter the pianist’s centennial year, a reissue series—and the history behind it—sheds new light on a jazz giant. Freed from corporate gatekeepers, Garner the A&R man consistently found fresh contexts for Garner the pianist to investigate on his new label. A 12-part podcast series hosted by acclaimed author Robin D.G. Kelley, exploring the music and legacy of pianist Erroll Garner. “ Erroll Garner personifies the joy of fearless virtuosity and exploration. Allen explains Garner’s guitar-like approach to his left hand, and Hyman brilliantly dissects the big band/solo style of Garner’s right hand, but no one describes Garner’s time lag between the two hands, which was a central element of his swing (famously tagged “the Garner strut”). JazzHistoryOnline.com. It reexamined the life and legacy of Erroll Garner and his impact on both cultural and social justice history. There are no special effects, no process shots and no sets. © 2021 Madavor Media, LLC. Each time I play ‘Misty’—and I play ‘Misty’ I would say a thousand times a year—I add a little something. Each episode is grounded in one of Garner's albums and features a conversation between Robin and a different musician. Erroll Garner is a consummate Gemini. Directed by Oscar-nominated David Massey, this dynamic documentary features legal experts, local activists, and law enforcement officers delving into ongoing charges of inequality, unfair practices, and politicized manipulations of America's judicial system. Many pianists could mimic Garner’s style, but few—save for the actor Dudley Moore—played exclusively in the Garner fashion. Garner was almost entirely self-taught, did not read or write music, and his style did not fit comfortably within jazz’s genres. His first documentary "Smoke & Mirrors" won Videographer Magazine's Award of Distinction in 1999. Atticus Brady, Editor: Erroll Garner: No One Can Hear You Read. In 2014, Rosenberg used the hard-won royalties from “Misty” to launch an organization called the Erroll Garner Jazz Project (EGJP) as a vehicle “to identify and articulate” the archives. The budget was a modest $700,000, including $25,000 for rights to Erroll Garner's "Misty," which Eastwood held out for. Erroll Garner, Soundtrack: Mighty Aphrodite. Song Premiere: Jazz Pianist Erroll Garner, "Night and Day," an Unreleased 'Concert By the Sea' Cut ; Erroll Garner Biography by Scott Yanow + Follow Artist. This was a joint effort between the Erroll Garner Jazz Project, the Magic Shop Studio, the University of Pittsburgh, famed jazz pianist and educator Geri Allen, and Sony Legacy. If jazz polls don’t become collateral damage of COVID-19, Erroll Garner: The Octave Remastered Series (Mack Avenue) is the odds-on favorite for best reissue of 2020. Someone once said of jazz legend Erroll Garner that playing the piano for him was as easy as breathing is for you or for me. - George Wein, Jazz Impresario "The complete musician is what he was. The guests include some of today's most important voices in jazz, as Uncovered attempts to answer one central question: Who is Erroll Garner to you? Tuesday is an off-night for the World Series, so I can’t think of a better place to be than Amherst Cinema for the screening of a new documentary on Erroll Garner, No One Can Hear You Read. The guests include some of today's most important voi… Read Full Biography. The sound quality on the aforementioned albums and the entire Octave Remastered Series is immaculate. --George Wein, Jazz Impresario A jubilant celebration of Garner's life and career, a straightforward but welcome collage of vintage performance footage, talking-head testimonies from fans, friends and family, and impressionistic B-roll from the streets of New York to evoke yesteryear's 52nd Street. She embarked on systematically archiving the Garner holdings housed in Glaser’s West 57th Street office—where several dozen metal cabinets, stacked floor to ceiling, held some 7,000 photographs and 8,000 well-preserved reel-to-reel tapes—and in seven separate storage facilities packed with records, letters, telegrams, contracts, artifacts, and memorabilia. He epitomizes all that makes jazz the great music of our age. Kelley, exploring the music and legacy of pianist Erroll Garner. Garner’s free-form introductions are also discussed, and while there is some dissension about how Garner’s sidemen were clued into the identity of the tunes that followed, once again the film clip gives a very clear example of Garner’s methods. They have the capacity to raise the level of those around them. Erroll Garner Uncovered. When negotiating Garner’s contract renewal the year after that artistic and commercial milestone was released, Glaser insisted on a right-of-refusal clause; she successfully litigated it after Columbia subsequently released three albums comprising unauthorized tracks. A 12-part podcast series hosted by acclaimed author and historian Robin D.G. Directed by Atticus Brady. Director - Atticus Brady Run Time - 53 minutes Language - English Format - DVD Year - 2012 Genre - Documentary Educational Interest-African-American Studies, Biographies/Profiles, Cultural Studies, Music, Performance . To keep costs down, most jazz films avoid clips from features and excerpts from high-profile television shows like Carson’s, but Brady includes bits of films like “Laura” and “Play Misty For Me” along with the Carson clip cited above, performance clips from the BBC’s “Jazz 625”, and concerts from Paris and Copenhagen. None of these eminent legatees, however, cut to the chase quite as effectively as Garner, who summarized his intentions in a 1969 interview with Arthur Taylor that appears in the latter’s book Notes and Tones. In 2014, Rosenberg used the hard-won royalties from “Misty” to launch an organization called the Erroll Garner Jazz Project (EGJP) as a vehicle “to identify and articulate” the archives. This landmark episode in the annals of artist rights wasn’t the first example of Glaser’s militant advocacy on behalf of her sole client. All rights reserved. Someone once said of jazz legend Erroll Garner that playing the piano for … The packaging contains ample value-added material: original liner notes and press blurbs, as well as a podcast series hosted by Thelonious Monk biographer Robin D.G. Tomkins simply replied “Happiness”. Brady has been working on this film since 1996, and he has gathered an impressive group of interviewees, including fellow pianists Dick Hyman, Ahmad Jamal and Steve Allen, bassist Ernest McCarty, producer George Avakian, biographer Jim Doran, and fans Woody Allen and Maurice Hines. He composed a movie soundtrack, played a recital of less-traveled film favorites, found unexpected pathways through Top 40 hits. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike. To illustrate Garner’s piano style, Brady effectively cuts between the vintage clips and recreations by Hyman and Steve Allen. His best-known composition, the ballad "Misty", has become a jazz standard.Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso." In an attempt to revive the memory of this most original pianist, filmmaker Atticus Brady has crafted an hour-long documentary, “No One Can Hear You Read”, which effectively balances discussions of Garner’s biography and musical style. During the decade that followed his signing with Columbia, he had become the most popular jazz instrumentalist in the world not named Louis Armstrong. All rights reserved. One of the most distinctive of all pianists, Erroll Garner proved that it was possible to be a sophisticated player without knowing how to read music, that a creative jazz musician can be very popular without watering down his music, and that it is possible to remain an enthusiastic player without changing one's style once it is formed. First she recruited audio restoration guru Steve Rosenthal and his onetime employee Peter Lockhart—now EGJP’s director—to embark on a massive digitization project. To begin with, Garner is a twin. Two subsequent historical first-releases—Ready Take One (Sony Legacy, 2016), documenting three separate studio sessions, and Nightconcert (Mack Avenue, 2018), capturing a 1964 recital at Amsterdam’s Concertgebouw—further burnished Garner’s posthumous “rehabilitation.”.
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