erroll garner interview
DM That’s absolutely right. Musicien. Erroll Garner (1921 â 1977), pianiste autodidacte et virtuose, défiait en permanence les conventions : il ne savait pas lire la musique â préférant jouer dâinstinct â et sa petite taille (il avait lâhabitude de jouer perché sur un tabouret surélevé par des bottins téléphoniques) faisait de sa maitrise du clavier un véritable challenge. WHITEHEAD: Erroll Garner is among the most charming and chipper jazz pianists. He was a “high note guy” and a very good lead trumpeter later. His manager Martha Glaser took care of that. Asch 3551 . His job was to make some music, and he loved making music, which got translated into being called absent-minded or not really caring. In 1959, after Columbia released recordings without his permission, he successfully sued the label, forcing them to remove the album from their catalog. His introductions to his tunes were beautiful and very special – and they were real teasers and musical puzzles that had you guessing what the song was going to be. Complete concert by the sea (The) / Erroll Garner, p. Document sonore. He taught himself to play the piano and landed a gig on the radio at age 10. Contrairement à beaucoup de ses confrères de ce temps, Erroll Garner ne va pas intégrer le mouvement be-bop. I live in Connecticut and have been a part of these demonstrations, which have become very interesting. We discovered it paid for a storage unit in New Jersey. We have been working really hard. Your email address will not be published. We focus on publishing content geared toward readers with interests in jazz music, its rich history, and the culture it influenced – and was influenced by. WHITEHEAD: Erroll Garner is among the most charming and chipper jazz pianists. He’s even swinging on the Beatles tunes, and it’s really happening. He would play a song like “Something” because it was a popular song the audience knew and would remember. Compositeurs : Erroll Garner. Jerry Jazz Musician is a non-commercial website whose mission is to explore the culture of America with jazz as the centerpiece. It was very interesting. Keystone/Getty Images 13 of the pieces are on this 1998 CD reissue, including the earliest recorded version of his big hit "Misty." He has a contraption that I talk into that then turns what I say into text. Without Martha, Erroll certainly would have been known, but he never would have reached the stage that he did. He was so warm in a club, and as an audience member you felt special to be in his company. Find album reviews, stream songs, credits and award information for Magician - Erroll Garner on AllMusic - 1974 - After his contract with Mercury was up, Garner⦠JJM Christian, what have you learned from the experience of working with the Erroll Garner Jazz Project? Those qualities in his old-timey repertoire here can make Garner sound like a throwback to 1920s novelty ragtimers, but he was a modernist as well. None of these eminent legatees, however, cut to the chase quite as effectively as Garner, who summarized his intentions in a 1969 interview with Arthur Taylor that appears in the latterâs book Notes and Tones. That song became, according to the American Society of Composers, Artists and Publishers (ASCAP), the twelfth most popular song of the 20th century, and since 1954 has been recorded by more jazz artists than any composition other than Duke Ellington’s “Satin Doll.” His 1955 album Concert by the Sea remains one of the biggest selling jazz recordings of all time. Musique matin à la maison avec Erroll Garner, Delibes, Thibault Cauvin et Benjamin François. INTERVIEW / ERROLL GARNER PAR CHRISTIAN SANDS Posté le Mercredi 25 juillet 2018 â Article précédent Article Suivantâ Enregistré en 1964 au Concertgebouw dâAmsterdam, « Nightconcert » dâErroll Garner dévoile un musicien américain à son sommet. What is interesting to think about is that during his era, a lot of people had different acts to show their artistry – they sang, they dance, they tap-danced – but Erroll just played piano, and he didn’t even introduce the songs. Just about every time I play, it is for Geri too. That sort of idea affects my own performances and what I bring to my own band to record…, JJM As an example, the Blind Faith song “Can’t Find My Way Home” is on your latest album…. She would apologize for calling at such a late hour, but she needed someone to talk to, and I didn’t mind at all because we had some terrific conversations. Moreover, he can do this consistently — a seasoned Garnerite will know when the pianist is really inspired. CS I never witnessed him perform in person, of course, but being involved with this project has allowed me to listen to him play in different settings, and, like Dan said, it is absolutely remarkable. The way he plays is so impactful and influential because there’s so many devices that he uses, and so many things he can do. He's got that relentlessly bouncy beat, he gets a big, brassy sound from piano, and he has a way of circling back to the tune during an improvisation. He would come into the store and go behind the counter, get up on a ladder, and grab a bunch of records. In this excerpt from an interview with the drummer Art Taylor, Garner describes how he wrote âMisty:â I wrote âMistyâ from a beautiful rainbow I saw when I was flying from San Francisco to Chicago. ⦠The visibility of the Black Lives Matter movement is so important now, and at this moment because everyone’s attention is on the news of the day, people can’t hide from it anymore. He was just such an incredible performer, and he played with such elegance. September 19, 2007 He is best remembered as the composer of the standard "Misty." One of the most distinctive of all pianists, Erroll Garner proved that it was possible to be a sophisticated player without knowing how to read music, that a creative jazz musician can be very popular without watering down his music, and that it is possible to remain an enthusiastic player without changing one's style once it is formed. He didn’t say a word, and didn’t have to say anything because what he did musically spoke a million words and immediately drew you into his creative world. A musical interlude…Listen to Erroll Garner play “Mack the Knife,” a live performance from the 1963 Octave Records album One World Concert. His band is pretty much forgotten – it doesn’t even appear in the jazz encyclopedias – but it is an interesting band with some good people in it, including the terrific trumpet player Al Killian, who worked with Ellington and Basie. Erroll Garner: Into the Vault Take an essential and unprecedented glimpse into the music and life of the groundbreaking pianist-composer. Erroll did it purely with music – he didn’t sing, he didn’t act, he didn’t talk, he only played the piano. There’s definitely a lot of work to be done, but to see that these demonstrations are still going on, and that the fire is still there is remarkable. JJM Beyond our discussion regarding Erroll Garner, what are you up to these days, Dan? Mack Avenue recording artist and Creative Ambassador for the Erroll Garner Jazz Project; mentored by pianist Dr. Billy Taylor; studied at the Manhattan School of Music; Steinway artist; American Pianists Association Jazz Fellowship Awards finalist; has recorded and performed with Christian McBride, Marcus Strickland, Gregory Porter, Jason Moran, Geri Allen, and many others. It was a typical recording session for pianist Erroll Garner.With his regular trio of the period (bassist Wyatt Ruther and drummer Fats Heard) plus Candido, Garner recorded 24 songs (all first takes) on July 27, 1954. I got to know Martha real well. Concert By The Sea est un album live du pianiste de jazz Erroll Garner sorti en 1955. The Black press, on the other hand, portrayed Garner as dignified, militant, race-conscious, intelligent. …..Now, in a collaboration of the jazz label Mack Avenue and the Erroll Garner estate, over the last year these Octave albums have been newly restored and released in expanded editions, each featuring a recently discovered, unreleased bonus track. Martha was so involved with everything. He bought what at the time was called “mood music” – artists like Percy Faith and Mantovani – because he was very concerned about playing tunes the right way, and since he couldn’t read, these particular types of records were played very closely to how the music was written. Musicians have a platform to use, and it is my responsibility to do my homework and be informed about what is going on because people do look to musicians to help figure things out. La résurrection d'un album de légende et un évènement discographique ! This has become a world conversation. Même sâil vend des millions de disques et connaît la gloire, il avoue nâavoir jamais su lire la moindre partition, et tout mémoriser à lâoreille. Required fields are marked *. March 27, 2016 "We came together to invigorate Erroll's musical legacy," says Susan Rosenberg, who inherited Garner's archive. [Reissue producer] Peter Lockhart has been working tirelessly to make these records sound new, and I am so happy to be a part of telling this story of Erroll Garner. Grove jazz . She had wonderful stories and a great sense of humor, so I didn’t care if I lost a few hours of sleep. I always tell younger musicians who are just figuring out how to play this music to write things down, to document how and what you are feeling, because your voice matters also. Erroll Louis Garner (June 15, 1921 â January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. photo by William Gottlieb/Library of Congress, Erroll Garner, New York, N.Y., sometime between 1946 and 1948, “Garner gives his listeners full value, sharing with them his joy in making music. She was tough. Another player on this label is Arv Garrison, a guitarist who did some stuff with Charlie Parker, and who recorded on the Dial label. Edité par Sony Bmg Music Entertainment - 2015 . Louis was the same way – people would put him down for being an “Uncle Tom” or whatever, but he didn’t give a damn. 9 — John Koenig, Sonny Rollins, and William Claxton talk about Rollins’ 1957 album, “Round Midnight in Ocho Rios” — a poem by DH Jenkins, A broadside and poem of Miles Davis, by Russell duPont, Paul Desmond: A Life Told in Pictures, Music and Memories, Jazz: Through the Life and Lens of Milt Hinton, The Negro League Baseball Photographs of Charles “Teenie” Harris. When I think about Octave musically, I mostly think about what it stood for. ERROLL GARNER - Magician MACK AVENUE/ Octave Re-Mastered Series: MAC1167 Erroll Garner (piano) Grady Tate (drums) Bob Cranshaw (bass) Jose Mangual (congas) Norman Gold (organ) Jackie Williams (tambourine) Recorded October 30 th to 31 st 1973, Capitol Studios, Los Angeles. I am very lucky to have a great collaborator who is my editor and co-author, and is also able to help me with technology, which I am not very good at. DM Erroll had this very special quality which can only compare to Louis Armstrong. The seven-CD box is a label project, rather than an artist project. So, educate, learn, document, and press forward, because we younger musicians are doing the work of our generation now, just as you and Dan and others did the work during your time. June 15, 2001 Host Bob Edwards remembers jazz pianist Erroll Garner who was born in this date in 1921. She was already involved with the Erroll Garner Jazz Project, and was in the process of doing a new project with them, which was performing Garner’s entire Concert by the Sea album at the Monterey Jazz Festival, and she asked Jason Moran, Russell Malone, Victor Lewis, Darek Oles and myself to perform with her as part of this three-piano tribute to the recording. Musically, he had a sound he could get out of a piano that you could compare to a great classical pianist, or to Art Tatum, who of course was an idol of Garner’s. We need to have conversations about this and continue to fight and to be involved, to put pressure on local government. It's All Right with Me (Original Edited Concert - Live at Sunset School, Carmel-by-the-Sea, CA, September 1955) Erroll Garner⦠It was a very special thing, and it was his own invention. DM Geri was a beautiful person and a great pianist. His superb ability and originality when playing the piano are discussed. During this age of social media, people are connected and everyone has a level platform from which to speak. Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso." Concert By The Sea (lâalbum original) fut l'un de mes tout premiers disques de jazz, alors que je traînais encore les fesses au lycée⦠C'est le disque qui vous envoûte de par son charme et son romantisme. Jazz historian and archivist, author, editor, and educator; chief editor of DownBeat magazine (1967 – 1973); seven time Grammy Award winner for Best Album Notes; recipient of ASCAP’s Deems Taylor Award for his books Jazz People (1977) and Living with Jazz (2005); led the Institute of Jazz Studies for three decades. He was amazing, but Martha really was the foundation for a lot of the things Erroll’s career was built on. CS He had the ability to play anything. A musical interlude…Listen to Erroll Garner play George Harrison’s song “Something,” from the 1972 Octave album Gemini. He received a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd. At that time, they didnât have jets and we had to stop off in Denver. Christian, what is the goal of the Erroll Garner Jazz Project? How he is able to do that and be in two different places at the same time and create this tension – whether it is with his band or solo – is incredible to me. When we got there, to our surprise it ended up being seven or eight crates of things of Erroll’s – curtains, suits, ties, shoes, contracts, accolades and various memorabilia. “Winter Tempers Our Souls” — a poem by Ermira Mitre Kokomani, Interview with Dave Chisholm, author of the graphic novel, “My Funny Valentine” — a poem by Henry Denander, Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of drummers Jo Jones, Art Blakey and Elvin Jones, A Black History Month Profile: Alain Locke, the father of the Harlem Renaissance, “Pressed for All Time,” Vol. Garnerâs sense of humor was somewhat similar to Monk, in that he liked to put you on. But I cared, especially when I would read some of my fellow critics put him down for the reason of his being popular, which tends to make any musician suspect with critics. JJM Dan, in your review of Garner’s 1965 performance at the Village Gate, you wrote that “to catch Garner in person, especially in a club, is one of the most gratifying and joyous experiences in jazz today.” What was it like to witness an Erroll Garner performance? Following that, Geri and I would perform in duo Garner tribute concerts, but unfortunately she became ill. She wanted me to be a part of the Erroll Garner Jazz Project, so she had a conversation with them, which led me to taking on the responsibility of introducing him to the younger generation via social media. But his impact on fellow musicians wasn’t limited to their admiration of his virtuosity. JJM Great music that endures to this day came out of the civil rights movement of the 50’s and 60’s, so it would make sense from a creative standpoint there is opportunity for artists like yourself to make your own moment here…. It’s a privilege to have both of you here to talk a little about the fabled pianist Erroll Garner. She was a wonderful lady, who today would be considered an “activist.” As a young woman she was involved in civil rights, which was somewhat unusual at the time. JJM Dan, in that same review of his 1965 Village Gate performance, you wrote, “Because Garner has committed the sin of being accepted by the general public, certain jazz critics attempted to dissect and downgrade his art.” In particular, there was a negative portrayal of him in a 1958 Saturday Evening Post article in 1958 that referred to him as a “self-taught master improviser who couldn’t read music.” Did he struggle with how people thought about him and his music? Regarding the Columbia law suit, Erroll and Martha – this brilliant African American artist and his female manager – took this giant corporation on in the late 1950’s/early 60’s and won, becoming the first artist of any color to stand up to a major record company and retain the rights to his own material. - [Europe] : Sony music entertainment ; [France] : distrib. I don’t know whether that is a true story or not, but I have to admit it’s a great story! Other highlights include "I've Got the World on a String," ⦠He had a privilege that nobody else had – he was allowed to go behind the counter and go through the entire inventory and look for whatever he wanted. One example is a few years ago we came across a bill of Erroll’s that was paid in the 1960’s or 70’s, and were interested in tracking it down. I have to believe that without Martha, this wouldn’t have worked out for Erroll. That attitude about critics goes for a lot of musicians. DM He was immune to all that stuff. But he also remains one of the greatest improvisers ever, a self-taught pianist whose unique approaches to melody, harmony and rhythm made him a star. I am also currently involved in a liner notes project for Mosaic Records. Garner Erroll: 00:03:00: 1947: 2: 17: Frankie and johnny fantasy: Garner Erroll: Traditionnel : 00:02:56: 1947: Visionner le livret [Voir les CD de cette catégorie] Vous pouvez acheter ce produit : - Chez votre disquaire (distribution Socadisc), chez votre libraire (distribution Frémeaux & Associés) ou par téléphone au 0143749024 - Sur lalibrairiesonore.com - Sur librairie ⦠We are all watching what is going on outside. The immortal swing pianist Mary Lou Williams once tried to teach Garner to read music but stopped when she realized that “he was born with more than most musicians could accomplish in a lifetime.” The late pianist Geri Allen, who was director of the jazz program at the University of Pittsburgh – Garner’s home town – and who subsequently worked with the Erroll Garner Jazz Project, said Garner “personifies the joy of fearless virtuosity and exploration,” and “blurred the line between great art and popular art.”. Garner ⦠Edité par Mack Avenue en partenariat avec Octave Music, ce disque live inédit confirme la vitalité du « Great ⦠His victory over Columbia was the first of its kind for any American artist, and compelled him and Glaser to subsequently create Octave Records, for whom Garner recorded 12 albums in the 1960’s and 70’s. Garnerâs version was inducted into the Grammy Hall of Fame in 1991. We are continuing the work, which is essential in order to push forward and create change. That is our story now, and it needs to continue. Erroll Garner on the cover of Magician, the final studio album of his life, and one of 12 albums he recorded for his Octave Records label, all of which have recently been remastered and reissued by Mack Avenue Records. The reissue set also features for the first time an interview with Garner during the concerts there in the beautiful California central coast city. CS Musically, I’ve learned a ton. His live album, Concert by the Sea, first released in 1955, sold over a million copies by 1958 and Scott Yanow'⦠Jazz pianist Erroll Garner was well-loved in the 1950s and '60s for his energetic playing. We didn’t know what was going to be there, and thought it could have been something like a small crate of records or paperwork. Part of it, of course, is that he had exceptional rhythm – he could swing his ass off – and what he did was so melodic it allowed him to reach people who had no particular background in music. So this work is definitely because of Erroll, but with the undertone of Geri Allen, who was also my teacher. This fearless advocacy for creative freedom – in partnership with his manager Martha Glaser – set the stage for artistic empowerment in the recording industry that remains today. There is one piece called “Five Guitars in Flight” which has no less than five guitars, all playing in unison. …..Garner’s immense popularity with audiences was also shared by jazz pianists, who viewed Garner’s mastery of the instrument with awe. So, there is some weird stuff, and some of it is more in the R&B vein. He is one of those rare beings who is able to achieve total communication through his art. DM Several different artists, including some rather obscure people, one of whom is Earle Spencer, who had a Stan Kenton-like big band in Los Angeles, although he disclaimed that influence. Martha was very important. And Erroll Garner is good music, and he picks good music to play that also affects people and that becomes embedded in people’s lives. Will the point of the protests still be there? hide caption. Erroll Garner at the Royal Concertgebouw in Amsterdam in Nov. 1964. Read the best writing on rock music here. You try that today and it might split the room. (3:59) Check out Errol Garner's Jazz Profiles from June, 1996. I have never seen people from so many different cultures come together in this way, marching and demonstrating for this cause. By doing this and winning, she and Erroll were pioneers in expanding the rights of musicians concerning what their record label could release. CS Yes. Courtesy of the Erroll Garner Jazz Project DM I don’t think so. Autumn Leaves (Original Edited Concert - Live at Sunset School, Carmel-by-the-Sea, CA, September 1955) Erroll Garner. …..In a July 27, 2020 conversation with Jerry Jazz Musician editor/publisher Joe Maita, the historian and most eminent jazz writer of his generation Dan Morgenstern and pianist Christian Sands – the Mack Avenue Recording Artist who also serves as the Creative Ambassador of the Erroll Garner Jazz Project – discuss Garner’s extraordinary legacy. There is a story about Tatum, who from his bed toward the end of his life told Oscar Peterson to “watch out for the little man,” meaning Erroll Garner. JJM Following the Columbia lawsuit, they started their own record company, Octave Records. The stuff from New York is mostly traditional – there is Willie “the Lion” Smith, and there is Cliff Jackson with Sidney Bechet, and Art Hodes too, so there’s an interesting mixture. It is all very melodic and all very sing-able. Having Octave allowed him to record what he wanted, when he wanted, and without anyone telling him what to do. Garner was self-taught and never learned to read music, but he composed some 300 songs and became one of America's most popular jazz musicians. 2012 : Erroll Garner: No One Can Hear You Read (Atticus Brady, 53 minutes), où Woody Allen est interviewé au sujet du jazzman Erroll Garner. One of the boxes contained what looked to be questionnaires Martha had sent to venues where Erroll played, asking them to review how he played, and asking questions about what his attitude was like, what songs the audience responded most favorably to, what the hotel accommodations were like, and that kind of thing.
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